Sunday, June 13, 2010
Touchups
I recently revisited the drawings I described in another recent post. I decided my first panel needed to be a bit darker, in order to match the second panel better. So I did some additional shading of the background.
Saturday, June 5, 2010
Countdown to Tulsa
At the end of the month, I am meeting my brother and my nephews so that we can all go to a Star Trek convention in Tulsa, Oklahoma. I have been informed that it's a good idea to bring something for the stars to sign, so I have been working on a comic-book style representation of one of my favorite episodes of "Star Trek: Voyager."
This is only one of several items I wanted to do in time for the convention. Sadly, not only is this the only one I have started, but I'm not even close to finishing it. I just have these two panels done. Red alert!
This is only one of several items I wanted to do in time for the convention. Sadly, not only is this the only one I have started, but I'm not even close to finishing it. I just have these two panels done. Red alert!
Monday, May 31, 2010
Vegan birthday party
I was invited to a birthday party for a co-worker who loves Apple products and who DJs in his spare time. So I made this card.

The inside has the bars that you would see on a sheet of music, with the treble clef on top and the bass clef below. I wrote the birthday greeting on the lines and put "Allegretto" as the instruction. I gave it to him at a vegan cafe where the gathering began.

The inside has the bars that you would see on a sheet of music, with the treble clef on top and the bass clef below. I wrote the birthday greeting on the lines and put "Allegretto" as the instruction. I gave it to him at a vegan cafe where the gathering began.
Thursday, May 6, 2010
A silver stream
The first time I heard of Idina Menzel was last week, when our company's receptionist sent out an e-mail saying employees could get 30 percent off tickets to Menzel's upcoming show with the Boston Pops.
Fast foward one week. Eight o'clock tonight found me and my co-worker Rowan in the first row of the first balcony, stage left, practically close enough to smell Keith Lockhart's hair product. But we weren't watching him. How could we? Right next to him was the busty, in-your-face Menzel, rocking the house in a clingy, mermaid-style gown.
Menzel, as I know now, is a star of the Broadway stage. Not a "star" like some of the middling ones that occasionally sing with the Pops, but a real star. I say that not because of her resume ("Rent," "Wicked") but because of her exuberant, warm presence, and because of her powerhouse voice, whose reverbations must have been felt in the fillings of patrons in the nosebleed seats and beyond.
Menzel opened with a fun number ("The Life of the Party"), and then moved to an inspired arrangement of Cole Porter's "Love for Sale" with the Police classic "Roxanne."
Of course, she included hits from "Wicked" ("Defying Gravity"), plus "Rent" ("No Day But Today," and an a capella version of "For Good"). She also threw in a song she and her husband wrote for their 8-month-old son. With its charming lyrics ("Did you go somewhere special in your dream? Did you go sailing across a silver stream?"), the swingy tune was a huge crowd-pleaser.
Menzel was good at chit-chat too, telling entertaining stories, including a serious one (about the premature death of "Rent" composer Jonathan Larsen) and a funny one (about her days as a wedding singer, pumping out "Conga" and "Hot Hot Hot"). The latter anecdote led to a gorgeous rendition of "Embraceable You." Menzel's encore was an exquisite "Tomorrow."
Prior to the show, I'd watched one or two YouTubes of Menzel and, to be honest, hadn't been bowled over. Either I'd picked bad ones or just wasn't connecting with the songs. But this evening's show was a major "Wow." Thanks, Idina!
Fast foward one week. Eight o'clock tonight found me and my co-worker Rowan in the first row of the first balcony, stage left, practically close enough to smell Keith Lockhart's hair product. But we weren't watching him. How could we? Right next to him was the busty, in-your-face Menzel, rocking the house in a clingy, mermaid-style gown.
Menzel, as I know now, is a star of the Broadway stage. Not a "star" like some of the middling ones that occasionally sing with the Pops, but a real star. I say that not because of her resume ("Rent," "Wicked") but because of her exuberant, warm presence, and because of her powerhouse voice, whose reverbations must have been felt in the fillings of patrons in the nosebleed seats and beyond.Menzel opened with a fun number ("The Life of the Party"), and then moved to an inspired arrangement of Cole Porter's "Love for Sale" with the Police classic "Roxanne."
Of course, she included hits from "Wicked" ("Defying Gravity"), plus "Rent" ("No Day But Today," and an a capella version of "For Good"). She also threw in a song she and her husband wrote for their 8-month-old son. With its charming lyrics ("Did you go somewhere special in your dream? Did you go sailing across a silver stream?"), the swingy tune was a huge crowd-pleaser.
Menzel was good at chit-chat too, telling entertaining stories, including a serious one (about the premature death of "Rent" composer Jonathan Larsen) and a funny one (about her days as a wedding singer, pumping out "Conga" and "Hot Hot Hot"). The latter anecdote led to a gorgeous rendition of "Embraceable You." Menzel's encore was an exquisite "Tomorrow."
Prior to the show, I'd watched one or two YouTubes of Menzel and, to be honest, hadn't been bowled over. Either I'd picked bad ones or just wasn't connecting with the songs. But this evening's show was a major "Wow." Thanks, Idina!
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